For the video game adaptation, see. Planescape Publisher(s) Publication date 1994 Genre(s) System(s) Planescape is a for the, originally designed.

The Planescape setting was published in 1994. As its name suggests, the setting crosses and comprises the numerous, encompassing an entire called the Great Wheel, as originally developed in the. This includes many of the other Dungeons & Dragons worlds, linking them via inter-dimensional. Development Planescape is an expansion of ideas presented in the Advanced Dungeons & Dragons (First Edition) and the original. When Advanced Dungeons & Dragons 2nd edition was published, a decision was made not to include or creatures, and so the cosmology was largely ignored, being replaced (to a certain degree) by the setting.

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However, fan demand for a 2nd Edition Manual of the Planes was strong enough to justify its expansion into a full-fledged, and so in 1994 Planescape was released. Developed Planescape when he was assigned to create 'a complete campaign world (not just a place to visit), survivable by low-level characters, as compatible with the old as possible, filled with a feeling of vastness without overwhelming the referee, distinct from all other TSR campaigns, free of the words 'demon' and 'devil' and explainable to Marketing in 25 words or less'. For inspiration, Cook listened to, and, read,, and, and for fun at 'Bad Movie Nights', watched such films as and. Cook came up with the idea that everything would revolve around, and that those factions would be ideas taken to the extreme. He also felt that came about because it was natural, because the planes needed a crossroads, and that the campaign needs a center which could be both a place for adventure and a place to hide, where characters could get to and from it quickly. Cook decided to adapt the Manual of the Planes because the older material made survival on the planes too difficult or complex; he ignored anything that complicated gameplay, which left the 'descriptions of twisted and strange creations'. Cook conceived of the look for the setting from images such as 'the gloomy prisons of 's Le Carceri etchings, and 's illustrations and surrealist art', and was assigned to draw whatever Cook wanted.