I have a collection of vintage 8mm (Regular or 'Double Run' 8mm) movie cameras, and I like to shoot with them sometimes as another hobby. I know Patrick Mont uses Super-8, and probably a couple of other people. But does anyone else here like to use 8mm movie cameras? Dark Souls Gfwl Crack. I think out of all my cameras, the Bolex K2 is probably my favorite.

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It's a very nice, solid, all-metal camera, but still easy to carry around. I use mostly Ektachrome 100D, and I send it to Dwayne's Photo to get developed. (Although there are a lot of other labs that can develop 8mm film). I posted this picture on another topic, but here is an 8mm projector I just bought at an antique shop recently.

It's a Revere P-90. It works great. (And yeah, I took this picture with film too! Kodak Plus-X in my Minolta SRT-101). By the way, doesn't anyone know when these projectors were made? So does anyone else here like to shoot in 8mm or Super-8? I shoot 8mm and super 8 (as you mentioned).

I can't get enough of it. It is just so much fun. It really kills me that people would throw away a film camera for a Sony Handycam.

I shoot mostly 7280 in super 8 and Ektachrome 100D slit into 8mm. I just ordered some TRI-X Reversal.

I am fortunate to have a lab about 15 miles from my house that procsses black and white and I am yet to try them out! I highly reccomend that anyone that has considered shooting movies to shoot them while they are still around. Chris I would guess your projector is mid to early 50s. Have you ever tried black and white in your Bolex? Revere made most of their stuff in the 40s and 50s.

I have a Revere-Nikkor Cine lens that is sort of special. Also have a zoom 'autofocus' lens from early postwar Japan. The 'autofocus' refers to the lens not having to be focused after zooming. I have an old Eumig somewhere and a Yashica 8. Oh, and a Keystone A8.

At one time I had a Stewart-Warner 'Hollywood' 16mm that was very similar to the Keystone 16. I don't shoot them. Any movie cameras around here are for display.

I used to have a lot of movie cameras around but, as they got less popular, I sold them. I still have an Arriflex 16. Sensenich Wood Propeller Serial Numbers. There are a few different films available for Regular 8mm.

I know there are a couple B&W films, but I forget what they're called. I think the the only color film available for Regular 8mm is Ektachrome 100D. There's a few different films available for Super-8, but I have only shot Regular 8mm so far, so I really don't that much about Super-8 film stock. I usually order my movie film from Dwayne's Photo.

But here's another place that has a much bigger selection: Rob, I'm sending you a private message. That's awesome. That answers a lot of questions.

So, going by the date of the catalog, it was made around 1953. And yeah, it does indeed have the attachment! In fact, I just noticed that a few days ago when I was playing around with it and (carefully) unscrewed the lens. What's interesting too is that it says it can run on either AC or DC. I also noticed that on a plate on the projector itself. At first, I thought the speed control knob was a variable transformer, which of course could only work with AC.

But from what I understand a rheostat is a variable resistor, which can work with AC or DC. What I'm kind of confused about is the motor. If it's a DC motor, I didn't know you could run that with AC.

I tried it once.I stepped 120 volts AC down to 12 VAC with a small transformer, and then tried to power a 12 volt DC motor. It just sat there and hummed and wouldn't turn. Also, were there still a lot places that used DC power back then? Someone really took care of this projector. It even had the orginal carrying case, which is mentioned in that advertisement! I still can't believe I got it from an antique shop, for only $40! Oh, and Leon.I'm glad to hear you use movie cameras!